The secret of the sparring methodology in our school, Shaolin Wahnam, lies in the 16 basic combat sequences, which are taught in the Intensive Shaolin Kungfu Course. But as the Switzerland Regional Shaolin Kungfu Course covered only three days of training, there was insufficient time to practice all the 12 sequences.

Hence, a simplified set of 8 combat sequences were derived from these 16 basic sequences to be taught at this regional course. These 8 combat sequences are complete by themselves, covering all the four categories of attacks and defence, namely striking, kicking, felling and gripping. In other words, without the need to borrow from any other martial arts but by using these 8 combat sequences, a practitioner can adequately defend himself from any forms of attack. Of course he must have the necessary combat skills.

As usual, the videos were recorded at random and are released here without editing. Unfortunately, we missed recording the first 2 sequences. The video series start with the third sequence. The first sequence (not shown here) deals with middle, top and bottom strikes, whereas the second sequence (also not shown here) deals with a side strike. These patterns in solo practice are shown in another video series here.

As Sequence 3 is long, it would be easier for learning purposes to divide it into two sequences. Hence, the original Sequence 3 taught in this course now becomes Sequence 3 and Sequence 4. The subsequent sequence, which involves double side-kicks, becomes Sequence 5, and so on.

As sequences are made up of patterns, you can be proficient in performing sequences only when you have become proficient in performing patterns. Every pattern should be performed in a picture-perfect manner. Only in this way can you bring out the best advantages that pattern will give for the combat situation it is used.

When performing various patterns in a sequence, the movements must be fluid and not staccato. The various patterns are linked together smoothly and performed as if they were one long, continuous pattern. Should variations be made in a sequence, like when a sparring partner intentionally or mistakenly goes out of the pre-arranged order, they should be fluid and spontaneous too. Of course, at the beginning you may be hesitant and haphazard, but with this principle in mind you can attain fluidity and spontaneity with due practice.

Indeed, this is the reason why some kungfu sets are called “Long Fists” (“Zhang Quan” in Chinese). “Long” here refers to the “Long River”, the name the Chinese people call Yangtze Kiang, the longest river in China. The kungfu patterns are like waves in the Long River, flowing continuously and overwhelming the opponent irrespective of what moves he makes.

Hence, the progression is from picture-perfect patterns to combat sequences to free sparring. First you perform the patterns in picture-perfect form. Next, you link the patterns smoothly into combat sequences, as shown in this video series. Then you progressively release control of the pre-arranged sequences with appropriate changes and modifications. This is shown in the video series here. Eventually you progress to free sparring, as shwon in the video series here.

To help you remember the 8 simplified combat sequences easily, they are linked into a set called "Single Tiger Emerges from Cave". A video clip showing this set can be found here.